Consciously non-committal, purposefully non-possessive, and a decisively un-domesticated version of romance
The coexistence of the old and the new is an inevitable part of our everyday life
Satyajit Ray’s Devi (1960) is much more than a head-on collision between tradition and modernity. Even though there is a constant confrontation of these two opposing forces, our modern man eventually fails to rescue his wife from the clutches of blind faith
Sara Akash and 27 Down examine lack of agency through their male protagonists.
Dipankar Gupta's book leads us to differentiate between ‘learnings from history’ and ‘remembering the past’
The beauty industry makes us forget a basic physiological fact: that bodies come in all shapes and sizes
Is the world’s biggest lockdown a fake reassurance? It mindlessly creates boundaries that will not delay the inevitable.
Let us hope against hope that this pandemic turns out to be an equaliser in matters of domestic work.
Cohabitation and carnal status-updates in a pandemic.
Latest article at FORSEA on the critique of the film Parasite in the context of the current pandemic virus.
He is not the Angry Young Man of ‘70s celluloid, who framed his rage against a harsh and ineffective state. Kabir’s superficial rage has no wider meaning except blatant sexism and harsh impositions
The idea behind the government's advertisement campaigns is to meet numbers and targets, not to necessarily bring about actual change